Sunday, August 31, 2008

Dispatch From Les #2 - How Badly Do You Want It?

How badly do you want to make that low-budget, DV movie? What is your motivation to do such a thing? How much pain can you endure? How far can you push yourself? How much can you do by yourself and how much help will you need from others?

Are you willing to let the electric bill go unpaid so that you can have production funds; waiting until you get the disconnection notice, then getting an extension on the due date, knowing that when you do finally pay it, it will be twice as much because the new bill as well as the old bill will be due by then? Are you willing to survive on frozen pizzas and burritos chocked full of trans fats just to have production funds? Are you willing to live in a dirty house because you worked and filmed or line produced every waking hour, every day, all week long, and your energy level is nil? Are you willing to work forty hours a week in the real world, and add to that the burden of making a low-budget, independent film?

Are you willing to be vilified, such as is in the hate mail posted below? Are you willing to fail? You'll never accomplish anything monumental unless you are prepared to fail and fall flat on your face in total embarrassment. Do you truly have something to say that warrants a movie, or is it a vanity project so steeped in subjective filler that no one really cares?

Are you willing to coddle an actor who halfway through filming decides that your darling script he adored during auditions he doesn't like so much after all, so he decides to change the lines you sweated blood to create, knowing that with half the movie already shot you cannot recast and reshoot his parts? How much torment can you endure without losing your cool? Just how important to you is your script and the dialogue contained within?

Have you done your homework, and read books on indie films? $30 Film School, by Michael W. Dean? Rebel Without a Crew, by Robert Rodriguez? Feature Filmmaking at Used Car Prices, by Rick Schmidt? Can you walk into a restaurant unannounced with your cameraman and actors and steal a shot guerrilla-style, without permission? Can you talk friends, family, relatives and complete strangers out of money for production funds? If your girlfriend of seven years says she will leave you if you make another movie, because she wants to spend the money buying a house, can you handle it? Which is more important to you, your girlfriend or your art? You better say girlfriend, if you want to keep her. How badly do you want it?

1 comment:

Anonymous said...

>Which is more important to you, your girlfriend or your art?
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My art. Which is why I ditched all those girls and married a girl who loves art.


Michael W. Dean,
author "$30 Film School".
http://www.stinkfight.com